Two, No, Three, Secrets of Novel-Writing

There are a few things I figured out in the past couple of months that I find myself thinking about and thought might be worth writing down, as I come to the end of one stage of this process and start another.

The most important might also seem the most obvious. Writing a novel takes a lot of time. If you have other commitments, like children and/or an outside job, writing a novel is something you can do in your spare time only if you are willing to ruthlessly refrain from (or at least drastically reduce the frequency of) doing many other things in your spare time, things people often consider normal and desirable, even indispensable: seeing your friends, watching your television shows, exercising, going to the movies or to a museum, keeping your home reasonably clean, volunteering, attending worship services, studying a foreign language, managing your finances, spending a weekend at the beach, surfing the Internet, having people over for dinner, even reading other people’s novels. Such activities become the enemy, for however different they seem, they have one thing in common: they are not writing. When you are doing them you are not writing. Continue reading

When Ideas Acquire Solidity

It’s a strange feeling when something that existed only in your mind, or in electronic form, suddenly emerges into the physical realm. Over the weekend I got a request from one of my writing workshop colleagues: she would be away the week I was supposed to deliver my manuscript to the group. Could I deliver it early? As in, Aug 2? I said I could. This meant I had to stop nervously tweaking and take it to the printer’s. I was not sure my venerable laser printer’s cartridge was up to producing 360 pages without warning; besides, I wanted to make my copies double-sided, having realized from attending the group how very bulky paper — each sheet of which seems so thin individually — can get after about 150 or 250 pages. I could not figure out how to do this at home.

I consulted the Internet for recommended copy shops in my neighborhood and set out to Remsen Graphics with my thumb drive. “I have a 360-page document,” I told the man there, who seemed more cheerful than was appropriate to a hot summer Monday morning in the copy shop. “I need five copies. Double-sided. Is that possible?”
“Of course! No problem! Come back in an hour or so.” He took my thumb drive and information about the file. He did not take my name or my money, nor did he write down any of the information I had just imparted. Feeling a bit uneasy about this and hoping the shop would get it right, I went away.

My fears were groundless. When I returned, the copy job was waiting for me, was just as requested, and the price was reasonable. The copies were given to me all in one big box, the thin kind of non-corrugated cardboard like bakeries put cakes in. I had wondered how big the product would turn out to be, had debated which of my reusable shopping bags would be the best size and shape to bring, but as it turned out I chose right. I paid and loaded the box into the bag and lifted the bag onto my shoulder and walked back out into the hot summer morning. The package was sharp-edged, and much heavier than a cake, and it was as I were carrying the weight of the product of my own mind, my own thoughts, home with me.

The End

I reached it today. I wish I could describe how I feel right now. Like someone who puts the last piece in a 1,000-piece puzzle, except this was a 150,000-word puzzle.
Like — is this it? Really? As Rickie Lee Jones would say, Is This the Real End? A strange mix of exhilaration and anticlimax.
And it’s not like it’s really the end. Revision will be needed. Maybe a lot.
I can’t wait to see what my colleagues at the writers’ workshop, who I already feel closer to, in a strange way, than some people I have known for years, will say.
But then, I kind of can wait, for what if this novel really bites?
I had given myself permission for years not to ask that question. Now it’s done, and I have to. The question virtually asks itself, though fortunately or unfortunately does not answer itself.
I look forward to rejoining the world of normal people, people who go to movies without guilt, though I don’t think I belong there anymore.

Page 350

Rilke said it best: “I would like to beg you dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”

Thought While Approaching Page 200

Writing a novel is not unlike reading one, except for being much more work.  At a certain point in either undertaking,  ideally,  the momentum and the mystery of the plot  take over, and you become so curious to find out how it ends that there is no option but to keep going.  Which, when you are the one writing it, means there is no other way to find out what the end is than by writing it. Constructing a plan is helpful; so are notes to oneself, but they are unsatisfactory in the same way that reading a summary of a novel is an unsatisfactory facsimile of the thing itself.

I have reached this point. The sense of needing to be done pulls me, gently but firmly, the way North pulls the needle of a compass, back to my Dropbox folder and my laptop, to the only place I belong right now, the world inside my head.