At the recent JASNA AGM in Huntington Beach, Calif., one of the many interesting people I enjoyed meeting and talking to was Paul Butler, whose wonderfully inventive takeoff on “Persuasion” kept me enthralled the whole journey home. After reading “The Widow’s Fire,” (started in the LAX departure lounge, finished on the A train back in Brooklyn), I will never see Mrs. Smith or Captain Wentworth the same way again. But it’s not a travesty — more of a radical rethinking, a bit the way Jean Rys flips the narrative in “Wide Sargasso Sea.”
Mr. Butler has in turn done me the honor of reading my book and kindly invited me to answer some questions on his blog. Link here.
The writer Jon Winokur, who has an excellent web site compiling writing advice, graciously interviewed me by email. It’s up today, here.
Thanks so much, Jon!
If you’ve been hesitating about buying a Kindle version of The Jane Austen Project, now is a good day to take a leap. It’s $1.99. Buy links here.
Reading this fantastic book was a little like one of those dreams where you discover an extra room in your apartment. An entire book focused on Henry Austen, a man I’ve spent years thinking about and trying to imagine! Continue reading
This week I read a wonderful essay titled “Reading Jane Eyre While Black” that I’ve been turning over in my mind ever since. Not only does it compare two of 19th -century England’s most fascinating writers — Charlotte Bronte and Jane Austen — but it hits on many of the issues I’ve been thinking about lately. About authorial intent, and how there will always be something a little mysterious about it, even to the author. Also how as both readers and writers we bring our own biases, both the known and unknown, to the page.
Tyrese L. Coleman makes many interesting points along the way, but one key theme is how “Jane Eyre” has been ruined for her by Bronte’s depiction of Bertha Mason, whose craziness and evil is inextricably linked to her West Indian origins and implicit blackness. Continue reading
Here’s an article I wrote for my alumna magazine about publishing a novel in midlife. I love the textured and slightly trippy illustration by Polly Becker. Fitting, too, since ladies of 1815 were expected to spend a lot of time sewing — a requirement that nearly drove my heroine, Rachel Katzman, mad with boredom.
Thank you, Barnard, for giving me a platform — also an education!